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Andrews, who taught at Locke on and off for 40 years, is probably best known for co-writing the Dazz Band’s immortal “Let It Whip.” In the course of his tenure at Locke, he nurtured artists like Patrice Rushen, Tyrese Gibson, members of the Pharcyde, the jazz drummer Ronald Bruner Jr. Bruner remembers accompanying him to performances as a child and dozing off during his father’s drum solos.Īt Locke High School in Watts, Bruner played in the Multi-School Jazz Band, run by a music teacher named Reggie Andrews. His father, Ronald Bruner Sr., is a drummer who’s played and recorded with Diana Ross, Gladys Knight and the Temptations.
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His mother, Pam Bruner, plays flute and percussion. “He’s the coolest bass player that ever walked the Earth, period, point blank,” said the singer and guitarist Steve Lacy, who’s featured on one of the new album’s singles, “Black Qualls.”īruner grew up in Compton and other regions of Los Angeles. No matter how interstellar Bruner’s music gets, his goofy sense of humor always anchors it in the day-to-day. But they also played “A Fan’s Mail (Tron Song Suite II),” a song about Bruner’s cat, with most of the audience providing meow-along backup vocals on the hook. Live at the Fox that March night, he and his touring band - the keyboardist Dennis Hamm and the drummer Justin Brown - would surrender to that undertow, turning once-concise tunes into pretexts for extended, stormy jams. On record, Bruner’s songs split the difference between thumping pop-funk, emotive swells of melody and jazz fusion’s heady cosmic undertow. It just goes to show you - there’s that audience out there, that’s waiting for something really good.” “And I’m going, How did that happen? Their songs are so strange, and so sophisticated. “From the ’70s to the ’80s, those guys were Top 40 radio darlings,” McDonald said. McDonald, who got his big break as a backup singer on Steely Dan’s “Katy Lied,” suggests that Bruner is pulling off something similar to what Walter Becker and Donald Fagen accomplished with their band decades ago. Every so often, to keep from losing his place in the game, Bruner would stretch out a silver-socked toe and wake the console from sleep mode by nudging the stick of his controller, which lay at the far end of the couch, next to an Aldi shopping bag overflowing with crumpled laundry, including a silver Lurex cargo vest designed by Virgil Abloh for Louis Vuitton.Īnything else he could have needed in this moment was close at hand - water, plastic-sleeved X-Men comics, a reference book on an obscure genus of Pokémon, or a Pikachu-shaped backpack with a miniature Pikachu hanging from the zipper and a Pikachu-yellow sweatshirt inside. A screen near the bus’s ceiling displayed a game of Mario Kart, on pause. He was half-prone on a couch in the bus’s back corner, in skinny black jeans and a T-shirt proclaiming, in bumper-stickerish terms, his love of a particular excretory function his nails were painted eggplant purple. “I’m a road dog,” Bruner said, then corrected himself. But Bruner’s plan for the afternoon was to stay on the bus, where he feels at home.
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Somewhere inside the Fox, there was a dressing room with his name on it.
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In a few hours, Stephen Bruner, the singer and bassist professionally known as Thundercat, had a sold-out show to play at the Fox Theater, a former 1920s movie palace on Telegraph Avenue.